The proportions have remained broadly stable during that period. I do not have a breakdown of the free school meal figures, but there is nothing to suggest from the raw proportions that there should be any change in those figures. However, I will come back to the hon. Lady with the precise numbers, which I hope will reassure her.
The EBacc was designed to be limited in scope to allow pupils to study additional important subjects such as music. The percentage of time spent teaching the arts subjects in secondary schools remained broadly stable between 2010 and 2018, and our survey of primary schools indicates that they spend the same amount of time teaching music as they spend teaching other important subjects such as history and geography.
It should also be recognised that many pupils decide not to study the arts as academic subjects, but continue to take part in artistic activities in and out of school, such as singing in choirs, playing in orchestras and bands, and performing in school plays. The DCMS Taking Part survey in 2018 showed that 96% of children aged five to 15 had engaged with the arts in the previous 12 months. We are investing more than £70 million this year to support young people and adults to get high-quality careers provision, including careers advice on arts-related careers.
Northampton School for Boys is an example of how the EBacc does not necessarily mean a reduction in the arts. It has more than 20 ensembles and choirs, yet it also enters 70% of its pupils for the EBacc combination of GCSEs—significantly above the national average of 38%. My right hon. Friend the Member for Wantage cited Didcot Girls’ School in his constituency for its exemplary music provision; at 52%, its EBacc entry figures are way above the national average.
As my hon. Friend the Member for Somerton and Frome (David Warburton) pointed out, the music industry is vital to this country; the hon. Member for Bury North was absolutely right to pay tribute to it. We are a nation with natural musical talent and a love for music that we all have an interest in cultivating. UK Music’s report “Securing Our Talent Pipeline” helpfully highlights the importance of the music industry to the UK economy, and I agree with its conclusion that if we want to produce the stars of the future, we must invest in talent for the future. I hope that it is clear to all hon. Members present that the Government are committed to doing precisely that.
I am enormously grateful to the hon. Member for Bury North for his securing this debate and for his passionate case for the importance of music education. He raised some important concerns, and I hope that I have reassured him that the Government share his commitment to ensuring that music can be enjoyed by every young person. The new model curriculum, the refreshed national plan for music, the ongoing support for our successful music hubs and our other music programmes will make sure that the next generation of music superstars have all the support that they need in schools, from their first exposure to the joys of music at a young age to provision for the brightest and most talented young musicians. All children deserve the chance to fulfil their musical potential. Thanks to the national network of music hubs, the music and dance scheme, and the support of organisations such as UK Music, I believe that pupils are being provided with that opportunity.
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